This programme offers an in-depth study of the history of photography, its place in cultural and critical theory, and its significance for modern visual culture.

Students are introduced to the critical analysis of the history of photography from the earliest experiments to the most recent developments. Although applied photography such as police records and advertising images are touched upon, the focus is upon photography as an aesthetic practice.

The increased presence of photography in public and private collections, and the art market, is one strand of investigation; photography’s role within the politics of representation is another.

There is an impressive alumni track record of obtaining professional roles both in the photography scene and in the wider art world.

During the programme, students experience:

• A rigorous academic curriculum delivered in the classroom and in front of the artworks in bespoke visits to archives, art fairs, galleries, public and private collections in London, the UK, Paris and New York. 
• A diverse and innovative programme of guest lectures and seminars by leading scholars and art world professionals. 
• Cutting edge scholarship in research-informed modules such as the Photographic Network and Global Photography. 
• Intensive professional practice sessions that examine how photography is curated, collected, preserved and sold, leading to skills that are key to a successful career in curatorial, commercial, journalistic, editorial and archival work.